Trying to See the Invisible, It's Just Misunderstanding.: Provisional Data of Yves Tanguy's Drawing Works (1) 1917-18, 1926, 1926-1927

＊Reference Bibliography

Catalogue Raisonné

· S: Pierre Matisse, Kay Sage (eds.), Yves Tanguy: Un recueil de ses œuvres / A Summary of His Works, Pierre Matisse, New York, 1963.

Others

· AB: André Breton (ed.), Yves Tanguy, Pierre Matisse, New York, 1946.

· JS: James Thrall Soby (ed.), Yves Tanguy (exh.cat.), The Museum of Modern Art, New York, 1955.

· GD: Exhibition of Gouaches and Drawings by Yves Tanguy, Pierre Matisse Gallery, 1963, unpagenated.

· DM: Daniel Marchesseau, Yves Tanguy, Filipacchi, Paris, 1973.

· PW: Patrick Waldberg, Yves Tanguy, André de Rache, Bruxelle, 1977.

· KS: Katharina Schmidt (ed.), Yves Tanguy (exh.cat.), Staatliche Kunsthalle Baden-Baden, Prestel-Verlag München, 1982.

· TP: Patrick Waldberg, Tanguy: Peintures, L’Autre Musée, 1984.

· RP: Yves Tanguy: Rétrospective 1925-1955 (exh.cat.), Musée national d’art moderne, Centre Geoges Pompidou, Paris, 1982.
· DA: Dawn Ades (ed.), Surrealist Art, the Lindy and Edwin Bergman Collection, the Art Institute of Chicago, Thames and Hudson, 1997.

· VI: Victòria Izquierdo (ed.), Klee, Tanguy, Miró. Drei Annäherungen an die Landshaft (exh.cat.), Palais Liechtenstein, Museum moderner Kunst Stiftung Ludwig, Vienna, 2000.

· RB: René Le Bihan, Renée Mabin, Martica Sawin, Yves Tanguy, Palantines, Quimper, 2001.

· KM: Karin von Maur (ed.), John Brownjohn, John S. Southard (tr.), Yves Tanguy and Surrealism (exh.cat.), The Menil Collection (Houston), Hatje Canz, Ostfildern-Ruit, 2001.

· GM: René le Bihan et al., Yves Tanguy (exh.cat.), Galerie Daniel Malingue, Paris, 15 mai-12 juillet 2002.

· AC: André Cariou (ed.), Yves Tanguy: L’univers surréaliste (exh.cat.), Musée des beaux-arts, Quimper, Somogy, Paris, 2007.

· SD: Susan Davidson (ed.), Tanguy Calder: Between Surrealism and Abstraction (exh.cat.), L&M Arts, 2010.

· KY: Double Solitaire: The Surreal Worlds of Kay Sage and Yves Tanguy, Katonah Museum of Art, Katonah, The Mint Museum Charlotte, North Carolina, 2011.

1917-18

01, 12,8 x 20,5, Emilie Tanguy, Locronon, Finistère, S17.

1926

01, 33,1 x 25,7, The Museum of Modern Art, New York, KM144, 236; RP76-77; KS10, 258; S18.

02, 38 x 26, Private Collection, AC86; KM144, 236; RP76-77; KS229, 258.

03, 37,5 x 26,5, Private Collection, AC87; KM144, 236; RP77; KS229, 258.

04, 32 x 25, Private Collection, AC87; RP77; KS229, 258.

05, Dessin automatique (Automatic Dessin), 46,7 x 29,2, Collection Timothy Braum, New York, AC88.

06, Dessin automatique (Automatic Dessin), 31,1 x 24,1, Collection Ira Drukier, New York, AC88-89.

07, Dessin automatique (Automatic Dessin), 31,5 x 24,3, Private Collection, Courtesy Galerie Cazeau-Béraudière, Paris, AC90-91.

08, Automatic Drawing, 37,5 x 26,5, Private Collection, KM134, 236; KS228, 258.

09, 33,4 x 25,5, The Lindy and Edwin Bergman Collection, DA226.

10, 33.3 x 25.5, The Museum of Modern Art, New York, KM145, 236; RP74-75; KS227, 258; GD unpagenated; JS16; AB10.

11, 33 x 28,8, Collection Gordon Onslow-Ford, Inverness, RP78; KS230, 258.

12, Paysage surréaliste (Surrealist Landscape), 34 x 24, Private Collection, AC88.

13, 11 3/4 x 8 1/4 in., First Drawing in René Bazin's Book "L'enseigne de vaisseau Paul Henry, Défenseur de la Mission de Pékin," Tours, 1901, R. L. Quillivic Collection, Pont Croix, Bretagne, KM23.

14, 11 3/4 x 8 1/4 in., Second Drawing in René Bazin's Book "L'enseigne de vaisseau Paul Henry, Défenseur de la Mission de Pékin," Tours, 1901, R. L. Quillivic Collection, Pont Croix, Bretagne, KM23.